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Acoustic Interculturalism Listening to Performance
Acoustic Interculturalism is a study of the soundscapes of intercultural performance through the examination of sound's performativity. Employing an interdisciplinary approach, the book examines an akoumenological reception of sound to postulate the need for an acoustic knowing – an awareness of how sound shapes the intercultural experience.
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| List of Figures | |
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| Series Preface | |
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| Acknowledgements | |
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| Introduction: the Topography of an Acoustic Interculturalism | |
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| The Performativity of Sound and the Soundscapes of Culture | |
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| Acoustic Mimesis: Ethical Cadence and Sonic Violence in Tambours Sur La Digue | |
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| (Echo)Locating Other Shakespeares: an Aesthetics of Pop and the Ear of the Other | |
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| Listening in/to Asia: Ong Keng Sen's Desdemona and the Polyphonies of Asia | |
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| 'If Music Be the Food of Love': 'Fourth World' Universals in Ong Keng Sen's Awaking | |
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| Conclusion: After Authenticity: Naming the Intercultural | |
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| Notes | |
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| References | |
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| Index | |
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Edition:
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2012
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Publisher:
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Palgrave Macmillan Limited
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Binding:
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Trade Cloth
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Pages:
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272
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Size:
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5.75" wide x 8.75" long x 0.75" tall
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Weight:
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1.10 lbs.
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Language:
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English
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