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| Read My Loops | |
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| Your Handwriting Is You | |
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| Behind Every Handwriting Is a Human Being | |
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| In the Beginning: The Origins of Graphology | |
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| Two Schools of Thought | |
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| Dead Men Tell No Tales, but Handwriting Does | |
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| Symbols Etched in Ink | |
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| The Preliminaries | |
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| I Should Let You See My Handwriting | |
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| But What Should I Write? | |
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| As Good As It Gets: The Ideal Sample | |
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| Tools of the Trade | |
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| The Absolute Necessities | |
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| Plotting the Mind: Charts, Diagrams, and Graphs | |
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| Nice, but Not Essential | |
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| School Models You Need to Know | |
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| Books for the Budding Analyst | |
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| This Is Your Life: The Page | |
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| Looking at the Big Picture | |
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| It's All in How You See It | |
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| The "Ground" Work | |
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| A Fine Balance | |
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| Pressed in | |
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| Spaced Out | |
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| Space, the First Frontier | |
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| A Space Odyssey: Your Environment and How You Use It | |
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| Don't Fence Me in: Line Spacing | |
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| Outer Space: Word Spacing | |
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| Inner Space: Letter Spacing | |
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| Margins, Back to the Future | |
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| Somewhere in Time | |
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| Suitable for Framing | |
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| Ghosts of Christmas Past: Left Margin | |
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| Future Perfect: Right Margin | |
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| Greetings, Your Majesty: Upper and Lower Margins | |
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| From Here to Eternity: Baseline | |
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| The Invisible Line | |
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| When Is No Line a Line? | |
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| Following the Rules | |
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| Charting Your Goals | |
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| How to Measure a Baseline | |
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| Ready, Set, Goal! | |
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| Calling Dr. Freud: The Zones | |
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| In the Zone | |
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| Back to School with Freud | |
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| Welcome to My World: The Middle Zone | |
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| Soul Survivor: The Upper Zone | |
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| What Dreams May Come: The Lower Zone | |
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| Size Does Matter: Writing Size | |
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| Leggo My Ego | |
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| Bigger Than Small, Smaller Than Big | |
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| It's the Little Things That Count | |
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| Big Is Beautiful | |
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| Decision, Decisions--I Can't Make Up My Mind | |
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| Up, Up, and Away | |
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| Down in the Boondocks | |
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| Let's Dance: Movement | |
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| I've Got Rhythm: Writing Rhythm | |
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| Different Strokes for Different Folks | |
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| Energy Balancing: Contraction and Expansion | |
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| Will Power or Won't Power? | |
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| Past, Present, or Future? Left and Right Trend | |
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| Rhythm and Blues | |
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| Do You Wanna Dance? | |
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| Extreme, Dude! | |
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| Contents Under Pressure: Pressure | |
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| Ready for Action--Tensing and Flexing | |
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| External Influences | |
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| Internal Influences | |
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| Pussycat or Storm Trooper? | |
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| Breaking the Surface: Medium Pressure | |
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| Running on Empty: Light Pressure | |
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| Mount St. Helens: Slightly Heavy and Extremely Heavy Pressure | |
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| Sudden Bursts of Pressure | |
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| Life's Hard Enough--Displaced Pressure | |
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| Your Erogenous Zones | |
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| Oh, What a Relief It Is: Shading | |
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| Faster Than a Speeding Bullet: Speed | |
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| The Age of Innocence | |
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| Setting the Pace | |
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| Reading the Handwriting Speedometer | |
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| Slow As Molasses | |
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| Steady As She Goes: Medium Writing Speed | |
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| The Hare: Moderately Fast Writing Speed | |
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| Reach Out and Touch Someone: Connections | |
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| Impulse Patterns | |
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| Some People Say I'm Psychic: Airstrokes | |
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| Ties That Bind | |
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| Do Let's Stay in Touch: Connected Writing | |
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| I Need My Space: Moderately Disconnected Writing | |
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| Viva Variety! Printscript | |
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| I Don't Know How I Know It, but I Do | |
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| From Me to You: Connective Forms | |
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| Why Can't We All Just Get Along? Garlands | |
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| Cover Me, I'm Going in: Arcades | |
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| No More Mr. Nice Guy: Angles | |
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| Don't Pin Me Down: Thread | |
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| Sacre Bleu! It's Sacre Coeur: Supported Forms | |
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| Combining Forms | |
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| In the Mood: Slant | |
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| Culturally Speaking | |
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| Gauging Slant | |
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| Feeling It in the Heart: The Right Slants | |
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| Upright, Uptight? | |
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| You'll Never Know How Much I Really Love You: The Left Slants | |
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| Every Which Way But Loops: Variable Slant | |
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| Other Stuff About Slant That Doesn't Fit Anywhere Else | |
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| Just My Style: Form | |
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| Keep It Simple, Sweetheart | |
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| To Conform or Not to Conform, That Is the Question! | |
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| Just the Facts, Ma'am | |
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| I Go to Pieces | |
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| Skeletons in the Closet | |
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| Dressing Up Is Fun | |
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| A Rose by Any Other Name | |
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| How Do I Look? | |
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| All the Trimmings | |
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| The Man Behind the Curtain | |
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| Let's Get Personal | |
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| Sweating the Small Stuff | |
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| The Finer Details | |
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| In the Beginning | |
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| Can't Let Go | |
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| The End | |
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| I Love You, Period: Punctuation | |
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| Yoo-Hoo! Here I Am! | |
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| Don't Let Go! | |
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| Purple Haze: Choice of Ink Color | |
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| Making It in the Minors | |
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| Don't t's Me | |
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| Seeing i to i | |
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| Let's Get Organized | |
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| The x-Files: The Small x | |
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| The Letter k Is Okay | |
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| mmm mmm Good | |
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| Mind Your p's and q's | |
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| r You Still with Me? | |
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| Oh, My Dear! Signs of Culture | |
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| L.A. Confidential: The Communication Letters | |
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| Writing in Public | |
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| Form over Substance | |
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| Checks and Balances | |
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| Pushing the Envelope | |
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| How Do You Doodle? | |
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| Waving the Red Flag: Danger Signs | |
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| One True Thing: Honesty and Integrity | |
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| Read the Road Signs | |
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| No Evil "d" Goes Unpunished | |
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| Downhill Racer: Signs of Violence | |
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| Don't Drink and Write: Drugs and Alcohol | |
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| To Your Good Health! | |
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| The Last Word | |
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| Writing the Analysis | |
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| Putting It All Together: The First Impression | |
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| How Do You Do? Asking the Writing Questions | |
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| Typecasting: Using Typologies | |
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| Saying What You See--Writing the Report | |
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| Professional Is as Professional Does | |
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| And They Lived Happily Ever After | |
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| Goodwill Hunting | |
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| The Happy Couple | |
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| Divorce Court | |
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| Relationships from Hell | |
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| Freudian Slip or Victoria's Secret? | |
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| Dump That Chump | |
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| Making Handwriting Analysis Pay | |
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| I Should Have Been Committed | |
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| Unlocking the Door to a Successful Practice | |
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| Seeing Clearly | |
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| Target the Right Market | |
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| Don't Be Invisible | |
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| The Resume Tells the "Did Do," Handwriting Tells the "Can Do" | |
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| Writing What's Wrong | |
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| Computers and Graphology-- Strange Bedfellows? | |
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| Once Upon a Time | |
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| Passing the Bar (Graph) | |
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| How'd They Do That? | |
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| But Won't It Put Me Out of Business? | |
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| Is SLHA Alone out There? | |
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| Speeding on the Information Superhighway | |
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| Order in the Court | |
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| Is It Legal? | |
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| Sex, Drugs, and Rock 'n' Roll | |
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| Point of Impact | |
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| Telling It Like It Is: Ethics and the Handwriting Analyst | |
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| Becoming Certified: Just What Does It Mean? | |
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| The Last Word--Really! | |
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| Appendices | |
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| Glossary | |
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| Recommended Handwriting Analysis Organizations and Schools | |
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| Recommended Organizations | |
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| Recommended Schools of Handwriting Analysis | |
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| Bibliography | |
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| Code of Ethics for Graphologists Practicing in the United States | |
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| Preamble | |
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| Code of Ethics | |
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| The Good, the Bad, and the Ugly | |
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| Founding Fathers and Presidents | |
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| American Heroes | |
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| The Clinton Affair | |
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| Entertainers | |
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| Dubious Characters | |
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| British Royalty | |
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| Index | |
