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The Pocket Lawyer for Filmmakers A Legal Toolkit for Independent Producers

Crowell, Thomas A.
ISBN-10: 0240808428
ISBN-13: 9780240808420

In our Marketplace:
1 used from $7.40
* You have an idea you want to pitch to a production company; how do you safeguard your concept? * There's a painting in the background of your independent film; is it necessary to clear the rights? * The screenplay you and a friend wrote gets optioned; how do you split the proceeds fairly? * How do you get a script to popular Hollywood actors or deal with their agents? Find quick answers to these and hundreds of other questions in The Pocket Lawyer for Film and Video, the next best thing to having an entertainment attorney at your beck and call.
Written by a TV-producer-turned-entertainment-lawyer, this no-nonsense reference provides fast answers in plain English: no law degree required! The Pocket Lawyer is designed to help producers reduce legal costs by providing the vital information needed to make informed decisions on the legal aspects of film, video, and TV productions. Film and video production is a litigation lighting rod: actors get hurt, copyrights are infringed, and contracts are broken. Big-budget producers have lawyers on retainer, but many independent filmmakers are left legally exposed. Arm yourself with the practical advice in this book. You will not only avoid common pitfalls, but become empowered in your daily work. Too many otherwise competent producers turn over every aspect of the deal negotiations to their lawyers and agents. This book explains the principal deals common to every production, putting producers back in the co-pilot seat with their representatives. The format is carefully designed for quick reference, so you get the answers you need, fast. Features include: * Clause Companion: explains the meaning and impact of typicalcontract clauses, taking the headache out of reading them. * F.A.Qs: instantly answers the most commonly asked legal questions. * Warnings: alerts you to critical areas and common mistakes. * Pro-Tips: advice on unions, escrow accounts, etc. for producers who want to distribute their video widely. Key features * Avoid legal pitfalls with this quick reference guide: get instant answers * Written in plain English for filmmakers, not lawyers * Three books in one: a handy manual on film contracts, a step-by-step guide to critical legal issues on and off the set, and a quick reference on copyright and intellectual property issues* You have an idea you want to pitch to a production company; how do you safeguard your concept? * There's a painting in the background of your independent film; is it necessary to clear the rights? * The screenplay you and a friend wrote gets optioned; how do you split the proceeds fairly? * How do you get a script to popular Hollywood actors or deal with their agents? Find quick answers to these and hundreds of other questions in The Pocket Lawyer for Film and Video, the next best thing to having an entertainment attorney at your beck and call. Written by a TV-producer-turned-entertainment-lawyer, this no-nonsense reference provides fast answers in plain English: no law degree required! The Pocket Lawyer is designed to help producers reduce legal costs by providing the vital information needed to make informed decisions on the legal aspects of fillm, video, and TV productions. Film and video production is a litigation lighting rod: actors get hurt, copyrights are infringed, and contracts are broken. Big-budget producers have lawyers on retainer, but many independent filmmakers are left legally exposed. Arm yourself with the practical advice in this book. You will not only avoid common pitfalls, but become empowered in your daily work. Too many otherwise competent producers turn over every aspect of the deal negotiations to their lawyers and agents. This book explains the principal deals common to every production, putting producers back in the co-pilot seat with their representatives. The format is carefully designed for quick reference, so you get the answers you need, fast. Features include: * Clause Companion: explains the meaning and impact of typical contract clauses, taking the headache out of reading them. * F.A.Qs: instantly answers the most commonly asked legal questions. * Legal Tailor: covers issues that come up on specific types of productions (corporate videos, student films, wedding videos, local commercials, and independent films). * Warnings: alerts you to critical areas and common mistakes. * Pro-Tips: advice on unions, escrow accounts, etc. for producers who want to distribute their video widely. Key features * Avoid legal pitfalls with this quick reference guide: get instant answers * Written in plain English for filmmakers, not lawyers * Three books in one: a handy manual on film contracts, a step-by-step guide to critical legal issues on and off the set, and a quick reference on copyright and intellectual property issuesIndispensable, on-the-spot legal advice for filmmakers"...provides a readable map through the world of legalese and contract negotiations for any filmmaker interested in doing pretty much all his or her own producing legwork....It's an excellent, potentially career-saving resource." - Back Stage
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Disclaimer
Dedication
Acknowledgments
About the Author
Overview of the Pocket Lawyer
Introduction
Filmmaker FAQs
Legal Building Blocks
Contract and Intellectual Property
Copyright and Intellectual Property
What Is a Copyright?
Exclusive Rights Under Copyright
The Film Property
Issues in Film Contracting
Deal Points
Who Are the Parties?
What Are You Getting?
What Are You Giving in Exchange for What You're Getting?
What Rights Do You Have or Are You Giving Up?
What Promises Are Being Made?
What Protections Do You Have?
What Rules Govern the Business Relationship Between the Parties?
What Happens When Something Goes Wrong?
The Production Company
Filmmaking Is a Business
Setting up the Production Company
Business Concepts
Types of Business Entities
Loan-Out Companies
Your Professional Team
Attorneys
Accountants
Insurance
Financing Your Movie
Pay for the Film Out of Pocket
Debt
Equity
Investors and Securities Laws
Step by Step: Securities Compliance
Development
Creating, Acquiring, and Managing the Film Property
Idea Rights: (Protecting Your Pitches and Avoiding Idea "Theft")
Nondisclosure Agreements and Submission Releases
Goals and Deals
Deal Points: Submission Release
Deal Points: Non-Disclosure Agreement (NDA)
Law: Protecting Ideas and the "Novelty" Requirement
Business Issues: Finances and Costs
Negotiation Tips and Tricks
Step by Step: Protecting an Idea
Follow-Up
Creating a Screenplay
Writing the Screenplay by Yourself (Sole Authorship)
Writing Collaboration (Writing Partners and Joint Authorship)
Deal Points
The Writers Guild of America (WGA)
Acquiring Screenplay Rights
Buying Rights
The Screenplay Option/Purchase
Major Deal Points: The Option Agreement
Major Deal Points: The Purchase Agreement
Hiring a Screenwriter
Major Deal Points: Writer's Services Agreement
Screenplay Adaptations
Major Deal Points: The Literary Property Acquisition Agreement
Life Story Rights
Major Deal Points: Life Rights Consent and Release
Chain of Title: The Care and Feeding of Your Copyright
What is a Chain of Title?
Copyright Searches and Permissions
Copyright Registration
The Copyright Notice
Copyright Recordation, Assignments, and Transfers
Certificate of Authorship
Pre-Production
Hiring Cast and Crew-a Lot of Law to Worry About
Federal and State Labor and Employment Laws - An Overview
Unions
Service Agreements
Checklist: Elements of a Service Agreement
The Producer's Services Agreement
Major Deal Points: Producer's Services Agreement
The Director's Service Agreements
Major Deal Points: Director's Services Agreement
Crew Services Agreement
Major Deal Points: Crew's Services Agreement
Performers
The Screen Actors Guild (SAG)
The Performer's Services Agreement
Major Deal Points: Actor's Services Agreement
How to Get a Script to a SAG Actor
Production
Quiet on the Set!
Extras and Depiction Releases
Depiction Releases
Caution - No Fraud or Misrepresentations Allowed!
Locations
Why You Need a Location Release
Getting Permission to Use a Location
Major Deal Points: Location Agreement
What's on the Set?
On-Set IP Infringement
Copyrights on the Set
Major Deal Points: Artwork License
Trademarks on the Set
E&O and Other Contractual Obligations
Post-Production
It's in the Can
Post-Production Staff
Hiring Post-Production Artists and Technicians Directly
Artists and Technicians Provided by Post-Production Facilities
Music
Music Licensing
Major Deal Points: Music Licensing Agreement
Stock and Royalty-Free Music
Commissioned Music
Major Deal Points: Composer's Services Agreement
Film Clips and Stock Footage
Stock Footage Company
Movie Studio Footage
Major Deal Points: The Film Clip License Agreement
The National Archives
Credits & Copyright Notice
Copyright Notice and Disclaimer
Distribution
Selling Your Film
What Distributors Do
Types of Distribution Deals
The Money Pipeline
How Does the Money Get from a Movie Theater to the Producer Via a Net Distribution Deal?
Distribution Rights Acquisition Agreement
Major Deal Points: Distribution Agreement
Tips for Attracting a Distributor
Conclusion
Law Library Appendices A-D
The Law Library
A Filmmaker's Guide to Intellectual Property Law
Copyright Law
Right of Publicity
Violation of Privacy Rights
Libel and Defamation
Moral Rights
A Filmmaker's Guide to Contract Law
Contract Law: An Overview
The Clause Companion
A Filmmaker's Guide to Labor and Employment Law
Employee or Independent Contractor?
Employee Responsibilities
Child Labor Laws: California and New York
Bibliography and Resources
Notes
Index


List price: $32.95
Edition: 2007
Publisher: Taylor & Francis Group
Binding: Trade Paper
Pages: 360
Size: 5.75" wide x 8.75" long x 0.50" tall
Weight: 1.23 lbs.
Language: English

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