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| Disclaimer | |
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| Dedication | |
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| Acknowledgments | |
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| About the Author | |
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| Overview of the Pocket Lawyer | |
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| Introduction | |
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| Filmmaker FAQs | |
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| Legal Building Blocks | |
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| Contract and Intellectual Property | |
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| Copyright and Intellectual Property | |
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| What Is a Copyright? | |
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| Exclusive Rights Under Copyright | |
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| The Film Property | |
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| Issues in Film Contracting | |
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| Deal Points | |
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| Who Are the Parties? | |
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| What Are You Getting? | |
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| What Are You Giving in Exchange for What You're Getting? | |
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| What Rights Do You Have or Are You Giving Up? | |
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| What Promises Are Being Made? | |
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| What Protections Do You Have? | |
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| What Rules Govern the Business Relationship Between the Parties? | |
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| What Happens When Something Goes Wrong? | |
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| The Production Company | |
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| Filmmaking Is a Business | |
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| Setting up the Production Company | |
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| Business Concepts | |
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| Types of Business Entities | |
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| Loan-Out Companies | |
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| Your Professional Team | |
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| Attorneys | |
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| Accountants | |
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| Insurance | |
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| Financing Your Movie | |
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| Pay for the Film Out of Pocket | |
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| Debt | |
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| Equity | |
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| Investors and Securities Laws | |
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| Step by Step: Securities Compliance | |
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| Development | |
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| Creating, Acquiring, and Managing the Film Property | |
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| Idea Rights: (Protecting Your Pitches and Avoiding Idea "Theft") | |
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| Nondisclosure Agreements and Submission Releases | |
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| Goals and Deals | |
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| Deal Points: Submission Release | |
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| Deal Points: Non-Disclosure Agreement (NDA) | |
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| Law: Protecting Ideas and the "Novelty" Requirement | |
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| Business Issues: Finances and Costs | |
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| Negotiation Tips and Tricks | |
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| Step by Step: Protecting an Idea | |
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| Follow-Up | |
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| Creating a Screenplay | |
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| Writing the Screenplay by Yourself (Sole Authorship) | |
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| Writing Collaboration (Writing Partners and Joint Authorship) | |
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| Deal Points | |
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| The Writers Guild of America (WGA) | |
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| Acquiring Screenplay Rights | |
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| Buying Rights | |
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| The Screenplay Option/Purchase | |
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| Major Deal Points: The Option Agreement | |
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| Major Deal Points: The Purchase Agreement | |
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| Hiring a Screenwriter | |
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| Major Deal Points: Writer's Services Agreement | |
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| Screenplay Adaptations | |
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| Major Deal Points: The Literary Property Acquisition Agreement | |
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| Life Story Rights | |
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| Major Deal Points: Life Rights Consent and Release | |
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| Chain of Title: The Care and Feeding of Your Copyright | |
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| What is a Chain of Title? | |
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| Copyright Searches and Permissions | |
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| Copyright Registration | |
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| The Copyright Notice | |
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| Copyright Recordation, Assignments, and Transfers | |
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| Certificate of Authorship | |
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| Pre-Production | |
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| Hiring Cast and Crew-a Lot of Law to Worry About | |
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| Federal and State Labor and Employment Laws - An Overview | |
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| Unions | |
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| Service Agreements | |
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| Checklist: Elements of a Service Agreement | |
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| The Producer's Services Agreement | |
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| Major Deal Points: Producer's Services Agreement | |
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| The Director's Service Agreements | |
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| Major Deal Points: Director's Services Agreement | |
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| Crew Services Agreement | |
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| Major Deal Points: Crew's Services Agreement | |
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| Performers | |
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| The Screen Actors Guild (SAG) | |
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| The Performer's Services Agreement | |
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| Major Deal Points: Actor's Services Agreement | |
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| How to Get a Script to a SAG Actor | |
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| Production | |
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| Quiet on the Set! | |
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| Extras and Depiction Releases | |
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| Depiction Releases | |
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| Caution - No Fraud or Misrepresentations Allowed! | |
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| Locations | |
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| Why You Need a Location Release | |
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| Getting Permission to Use a Location | |
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| Major Deal Points: Location Agreement | |
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| What's on the Set? | |
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| On-Set IP Infringement | |
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| Copyrights on the Set | |
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| Major Deal Points: Artwork License | |
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| Trademarks on the Set | |
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| E&O and Other Contractual Obligations | |
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| Post-Production | |
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| It's in the Can | |
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| Post-Production Staff | |
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| Hiring Post-Production Artists and Technicians Directly | |
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| Artists and Technicians Provided by Post-Production Facilities | |
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| Music | |
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| Music Licensing | |
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| Major Deal Points: Music Licensing Agreement | |
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| Stock and Royalty-Free Music | |
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| Commissioned Music | |
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| Major Deal Points: Composer's Services Agreement | |
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| Film Clips and Stock Footage | |
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| Stock Footage Company | |
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| Movie Studio Footage | |
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| Major Deal Points: The Film Clip License Agreement | |
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| The National Archives | |
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| Credits & Copyright Notice | |
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| Copyright Notice and Disclaimer | |
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| Distribution | |
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| Selling Your Film | |
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| What Distributors Do | |
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| Types of Distribution Deals | |
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| The Money Pipeline | |
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| How Does the Money Get from a Movie Theater to the Producer Via a Net Distribution Deal? | |
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| Distribution Rights Acquisition Agreement | |
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| Major Deal Points: Distribution Agreement | |
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| Tips for Attracting a Distributor | |
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| Conclusion | |
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| Law Library Appendices A-D | |
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| The Law Library | |
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| A Filmmaker's Guide to Intellectual Property Law | |
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| Copyright Law | |
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| Right of Publicity | |
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| Violation of Privacy Rights | |
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| Libel and Defamation | |
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| Moral Rights | |
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| A Filmmaker's Guide to Contract Law | |
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| Contract Law: An Overview | |
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| The Clause Companion | |
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| A Filmmaker's Guide to Labor and Employment Law | |
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| Employee or Independent Contractor? | |
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| Employee Responsibilities | |
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| Child Labor Laws: California and New York | |
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| Bibliography and Resources | |
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| Notes | |
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| Index | |