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| Vocal Music in France | |
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| �lisabeth-Claude Jacquet de La Guerre: a biographical essay | |
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| The sacred and secular cantatas of �lisabeth-Claude Jacquet de La Guerre: an introduction | |
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| Representing Jacquet de La Guerre on disc: scoring and basse continue practices and a new painting of the composer | |
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| A new Rameau cantata | |
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| Performing Rameau's cantatas | |
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| Towards a chronology of Rameau's cantatas | |
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| Declamation and expressive singing in recitative | |
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| 18th-century French and Italian singing: Rameau's writing for the voice | |
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| On performing 18th-century haute-contre roles | |
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| Basses and basse continue in the orchestra of the Paris Op�ra, 1700-1764 | |
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| The dramatic role of the chorus in French opera: evidence for the use of gesture, 1670-1770 | |
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| The Paris Op�ra chorus during the time of Rameau | |
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| 'Inclina Domine': a Martin motet wrongly attributed to Rameau | |
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| Preface to Fran�ois Martin, Petits Motets for One and Two Solo Voices with Instruments | |
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| Bach's music in France: a new source | |
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| The Viol and Violin in England | |
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| A 17th-century source of ornamentation for voice and viol | |
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| British Museum ms. Egerton 2971 | |
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| Carl Friedrich Abel's solos: a musical offering to Gainsborough? | |
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| Books on old violins and 19th-century playing from the bequest of T.W. Mills | |
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| Tempo graduations in Purcell's sonatas | |
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| Violin playing in late 17th-century England: Baltzar, Matteis, and Purcell | |
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| Ornamentation in English lyra viol music: part 1: slurs, juts, and thumpes and other 'graces' for the bow | |
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| Ornamentation in English lyra viol music: part 2: shakes, relishes, falls, and other 'graces' for the left hand | |
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| Index | |
